Reflections on Scorese's Silence, part I
Warning: Spoilers follow.
This will be the first of two posts on Martin Scorcese's Silence, a movie long-in-the-making version of Shusaku Endo's 1966 novel. The second post will appear once I see the movie. So what follows is a discussion of the novel and what some critics have made of the movie. Here is a good overview of the movie and its content.
First, as expected from a talented director like Scorcese, the movie's visuals are stunning. After extensive success in Japan, Christianity found itself ruthlessly outlawed and persecuted in the seventeenth century. The movie follows two young Jesuit missionary priests who, hearing that their mentor has apostostasized, travel to Japan to confirm the rumors.
Part of the shoguns' torture juxtaposed excruciating pain with the simplest, and pain-free, gesture. All arrested Christians were given the opportunity to apostasize by stepping barefoot on an image of Jesus (hence the fumie, literally "the stepping-on image").
Come on--what could be easier than that?
